Ceramics is not exactly an easily mobile art form. And depending on what you are making, it can take up a fair bit of space. So what the heck do you do when you move to New York City, but you know you are only going to be there for 2-4 years? And yet, you are fresh in the beginning stages of getting your business off the ground? Well, that’s exactly what Alex Olson is working on figuring out and this week we’re talking all about it, along with the reality of trying to build new healthy routines - both physically to ensure the longevity of working in clay, and mentally, when leaving in as busy of a place as NYC - that keep us inspired for the long game of making a living from the things we make.

In order to have kept my small business afloat for the last 12+ years, I had to learn a LOT of other skills that have absolutely nothing to do with crafting a photo. In fact, as you’ve heard from many past guests here on the podcast, once you go full-time with your craft, more often than not, you aren’t spending 100% of your time IN that craft. Instead, there’s admin and website updates and taxes and paperwork and customer service and…. Well, the list goes on, but I think you get the idea. To make a living from the things we make, there are a lot of skills required. But where the heck can you learn some of these skills? Well, for me, it was through in-person conferences. But thanks to the demands a global pandemic put on the world, all of those in-person conferences have realized they can provide these important resources to a heck of a lot more makers throughout the world if they hold a virtual conference. And starting in 2023, a brand new virtual summit is arriving. This week on the podcast, I’m chatting with the creator of Ceramicon. Elisabeth Young’s dream for Ceramicon is to offer an accessible way for people to learn multiple pottery techniques and business strategies from the artists they love and I’ll be joining the 17 other makers and small business owners, sharing some of our hard earned lessons in the pursuit of making a living from the things we make.

How often do you find yourself listening to another maker or hearing about another artist’s story to get to where they are now and saying, “Well that worked for them but I…” But I’m not in my 20s. But I’m married. But I have a dog, but I… It can be really easy for any of us (myself included) to come up with all the reasons we can not do something. Until, you hear about someone who, even with all of those things, is doing the thing. This week on the podcast I’m chatting with Ido Ferber who has picked up and moved to Tokyo in order to studio ceramics. No, not directly from undergrad. And no, not even by himself. Ido and his wife, who is a maker in who own right, have both moved abroad to figure out how to make a living from the things they make.

The irony of publishing this episode on Black Friday isn't lost on me. But here's the thing: Your emails are NOT the same as the big box stores. At least, not if you are actually (regularly) engaging with the people who have trusted you enough to give you their email address... The true irony is that oftentimes, thanks to our nerves around feeling like we might be spamming people, we wind up only emailing them when we have a shop update or an announcement about a market or show.

But what feels more spammy? Only hearing from someone when they want you to buy something or consistently learning more about an artistic process and the artist behind the pieces on a regular basis, that then culminates in the opportunity to purchase that work? On this week's solo episode, I'm dispelling some of the common myths about email marketing and how popping into your subscribers inbox is not the same as the big box stores sending endless emails to all of us this weekend.

Dream with me for a minute - What if instead of stressing out over figuring out everything, you simply take the next step? This week on the podcast, I’m interviewing Horacio Casillas, who is currently a resident at Companion Gallery. And he’s spending this unique time as a resident artist doing just that - taking the time to slow down and think. He doesn’t have the next 5 years of life already plotted out and ticking off the to-do list towards whatever crazy goal that demands to push harder and wake up earlier and grind. Instead (despite giving himself set work hours), he’s allowing himself to reflect and make at a pace that leaves space for new ideas. And as soon as you see his unique style of work, no doubt, you might be a bit more convinced (like me) that there’s something to be said for a bit of slowness in our lives…

You’ve just walked into a new gallery exhibition, and immediately you start thinking about the artist who created these amazing works in front of you. You dream of working in the arts and what that would be like. But have you ever thought about all the other ways you could also work in the arts? To put on that one exhibit there is also a gallery, and thus, a gallery owner (not to mention gallery employees), there’s potentially a marketing company that helps the gallery spread the word on new features, there might be writers and art critics that write reviews, and there may have even been a curator pulling all of these various pieces and people together. So, when we really get to thinking about it, there are a lot of ways to make a living working in the arts. And, as you are about to hear from this week’s guest, perhaps, if your goal has been to make an impact - to raise awareness around important social issues - well… maybe making the art isn’t always the fastest or biggest or most direct way to make that impact…

Should I sell online? Or should I sell at in-person markets? Should I accept wholesale? Should I teach? These are just a handful of the myriad of questions we makers often ask ourselves when trying to figure out how the heck to get our small businesses off the ground. But it’s hard to know what the right choice is for yourself until you try many of these things. And when I say try, I don’t necessarily mean just throwing up a table at one in-person market, where it rains on one day of the weekend, or maybe the hosts of the market don’t do as much marketing beforehand and the turn out was bad, so now you’ve decided that in-person markets are crap and you’re never do one again… No, often times we have to try all of these different routes to supporting our craft a couple of times, or maybe, if you’re like today’s podcast guest… 22 times. That’s right, twenty two.

Pricing your art… It’s part math, part alchemy, and a whole lot of emotion. It should just be simple math, but somehow it's never that simple. On today's solo episode I dig into the differences between cost-based pricing and value-based pricing (and why the second one is so important specifically for artists). Of course, as is true with most things in life - The topic is a bit more complex than we would probably prefer.If you are looking for more support and help in navigating the complex questions we all have to answer in order to even try to make a living from the things we make, come check out the conversations happening inside of The Community - where makers from all over the world, newbies and makers a few decades into their career, are problem-solving together in order to figure out how the heck to take this shared dream of all of ours - to make a living from the things we make - from dream to reality. Learn more at: https://www.makersplaybook.com/community/

Most of us dream about quitting our full-time jobs in order to do what we love. In fact, that might just be why you are listening to this very podcast. But what if, instead of thinking of your full-time job as the thing holding you back from being creative, you approached it from the perspective of the thing that allows you to be creative. Maybe not necessarily while doing that job (although this week’s guest one could argue gets to do that too), but thanks to the reliability of that job - you get to make whatever you want to make. Whatever you are most curious about. Without worrying about whether or not you can sell it…

How many of us feel like we need to have every single detail figured out before we start something? I know I sure do. If this is your first podcast episode, you will soon figure out, I am awfully (obsessively) Type A for being a creative. And while at times that has served me really well in systematizing processes and being organized in order to use my time efficiently, at other times… it’s slowed me down. Analyzing every pro & con to every website platform out there for months and months before just simply starting the darn thing! Sound familiar? It can be scary to start, so I think (at least it’s true for me) we give ourselves a false feeling of security by analyzing things until their final breath, thinking we can solve every possible problem that might come up before we even start. When, in reality, you just have to start in order to figure it all out. At least, that was the case for this week’s podcast guest, Juliette Davin.Juliette is one of the founding members of our online membership, The Community - where makers from all over the world are joining together to have meaningful conversations around many of the questions that plague us all - Etsy vs. your own website, how to start an email list, managing Instagram without loosing your sanity, how to price your work, and so much more!

Today on the podcast, I’m discussing one of my favorite, most insightful, yet most difficult to stick to topics… growing slowly. If I could do it all over again, and go back 12 years in time, the one thing I would do differently would be to actually hold onto the work outside of starting my own business longer. I was in such a rush to feel the false legitimacy of being “full-time” that I missed out on the benefits (and support) that was possible when you weren’t only relying on your craft to pay the bills. This week’s podcast guest has strategic patience about growing his ceramics studio which is deeply refreshing.

There are two very exciting things happening on the podcast this week! #1 - I’m excited to announce that for the first time since starting this podcast, we have a bit more support to help me get new episodes out into your headphones! For the next couple of months, the one and only Amaco is sponsoring the Maker’s Photography Styling System! And I couldn’t be more grateful & excited. #2 - This week’s interview with Ben Carter is actually Part 2! Part 1 can be found over on Ben’s show, Tales of a Red Clay Rambler. But you can really listen to them in whatever order you want, so don’t stress :)

Why do you want to have 10,000 followers on Instagram? What will that do for you? Or rather… what do you think that will do? Today’s world is full of encouragement to grow - have more followers, make more content, do more, diversify income streams - do more and grow, grow, GROW! But have you ever stopped to ask yourself, “Why?” On this week’s episode, host Rebecca Ickes Carra sheds a bit of light on the Myth of Growth and how it might not solve the problems we think it will (it could in fact create more problems. Or at least create a deep feeling of burnout…). Encouraging us all to think critically, she also discusses the ways we can approach growth strategically in order to build the lives of our dreams.

On today’s episode, Tom Kemp manages to hold space for both a deeply philosophical conversation while at the same time providing pragmatic advice for all of us working to figure out how the heck to make a living from the things we make. I personally, have never connected much with the philosophy and the “what is art?” conversations that often spring up, but when married side-by-side with the realistic, and the pragmatic - the benefits of things like social media for artists to test out ideas in the marketplace alongside the difficult slog that is practicing a craft and teaching your body how to physically do something new in order to express that “what is art” idea? Now that is a conversation I could have had last twice as long as this interview.You’ve heard us talk a lot about Instagram here on the podcast in the last few weeks and it seems on continuous best-practice, how to succeed & grow on social media that every maker - whether side-hustler or full-timer - has said is rooted in consistency. Consistently showing up. But I know a lot of times consistency is hard if you don’t have a way to create photos and videos that you are actually proud of.

Is the thing you are dreaming of doing actually going to provide you with the life you are dreaming of having? On today’s episode, I sit down with Becca Otis (yes, from Wheeltalk Podcast!) to dispel some of the myths behind a lot of goals we self-employed artists often set. Dream of owning your own studio & hosting classes, she’s done it. Dream of selling your work to make a living, she’s done it. Want big-name brands to contract you for elusive wholesale work? That’s how Becca actually started her business! And now… she’s intentionally working in someone else’s pottery business instead.

If you are anything like me, that ever-growing to-do list is impossible. There isn’t enough time in the day or resources available to accomplish all the world yells at me to do. So what if you had a guiding light on how to decide what things on that ever-growing list, you actually really and truly needed to focus on? What if raising your prices wasn’t actually the solution, but lowering them was? It sounds crazy, right? But thanks to Sam Lopez’s vision for not only how he wants his work to be used in everyday life, but also what he wants his life to look like in the future as an independent maker and educator, he’s been able to make some decisions that, on the surface, could appear completely nonsensical if you are only listening to what the internet is shouting at you.

Do you think it’s too late to organically grow a large Instagram following? Did you only just start your Instagram and it feels like you’ve missed the opportunity? Maybe you tell yourself “there’s no possible way to grow on Instagram these days compared to before…” Or assume the advice someone gave you - maybe someone who already has a much bigger following - won’t work for you because they grew their following years ago - before reels, before there were so many potters online, etc. etc. etc…Well, my friends, it’s time to break down all of those excuses. Because today’s guest has grown her Instagram from a few hundred to over 32 thousand (at the time I’m writing this) in about a year and a half. That’s right. Jackie Wright started intentionally using Instagram for her ceramics at the start of 2021. No paid ads, no clever tricks or outsourced marketing assistance. Oh, and she’s not a full-time potter either. She’s side-hustling. So if she can do it… well, I think you and I can do it too, can’t we?In this episode, Jackie kindly references our Maker’s Photography Styling System - a 6-week photography course designed specifically for ceramicists and makers. If you need support in learning how to take better photos of your work, then you aren’t going to want to miss out when the doors open again on September 8th! We only do this twice a year and the Maker's Photography Styling System is made specifically to help you build your own, quick & easy, repeatable system (just like Jackie now has) to take better photos of your work faster.

What if you stopped making the kind of work you don’t actually like to make and decided to only make the random thing that really interests you? And what if… what if doing that actually brought you more sales and more people interested in your work and excited about the same thing you are excited about than you could have ever imagined?

That very thing is happening for Kate Schroeder and her Shelfies and on this episode, we get to hear all about the long road that led her to today's successes.

For most everyone I’ve spoken with in the last year and a half of the podcast, one thing has been true - As soon as they touched clay, they were hooked. It was like a siren call, an addiction, where their whole life they began to rearrange in order to figure out how to carve out more time to have their hands in the mud. That mesmerizing experience that is true for so many of us, often has us jump straight from our first class at the local community studio to “how do I sell this so that I can quit my job?” in the span of just a few months. But what does it actually take to quit your job and go full-time in pottery? What SKILLS do you need in order to actually be able to make a living from the things you make? Are there certain goals you need to hit to make this thing viable? Today’s guest sheds a bit of light on his experience with these very questions.

When you see a super well know potter's name somewhere - on the cover of a book, on a list of speakers at a conference, or anywhere else - do you ever wonder how they got there? Did they always know they wanted to do this? Or was their path a bit more windy (perhaps like yours and mine)? Have they reached this particular level of success because of a clearly laid out plan, or was it really most luck and timing? Well my friends, one of those names that pop up in my head as more of a name on a book rather than the person themselves is John Britt and on today's episode, you just might be surprised how he came to have his name on the cover of that book that’s probably on your shelf right now…